Nanoha 4x-5x Super Macro Lens for Sony A5000 A6000 A7 7r E Mount With Led Lights Review
From Wikipedia, the free encyclopedia Bound to navigation Jump to search BIONZ is an prototype processor used in Sony digital cameras.It is currently used in many of Sony α DSLRs and mirrorless cameras. Image processing in the camera converts the raw image information from a CCD or CMOS image sensor into the format that is stored on the memory card. This processing is one of the bottlenecks in digital camera speed, and then manufacturers put much attempt into making, and marketing, the fastest processors for this step that they tin. Sony designs the circuitry of the processor in-business firm, and outsources the manufacturing to semiconductor foundries such as MegaChips and (mostly) GlobalFoundries, as they currently do not own any fabrication found capable of producing System on a flake[1]. Sony also sources DRAM fries from various manufacturers namely Samsung, SK Hynix and Micron Applied science.BIONZ utilizes two chips in its design; Kickoff flake is a SoC (System-on-a-chip) that manages overall functionality of the camera such every bit SD card storage direction, wired connectedness such equally USB and HDMI, and wireless protocols such equally Wi-Fi and NFC that are increasingly common on mod Sony α cameras. BIONZ SoC can be identified with office number 'CXD900xx'. 2nd chip is a Internet access provider (image indicate processor). It handles the data straight out from the CMOS image sensor and is directly related to camera's high-ISO racket characteristics in a low-low-cal environment. Isp can be identified with part number 'CXD4xxx'. Withal, It is generally harder to place part numberContents1 History of BIONZ chips in Sony cameras1.1 BIONZ – MegaChips MA07170 and MA071711.2 BIONZ – Sony CXD4115 ISP1.3 BIONZ – Sony CXD4132 Internet access provider CXD90016GF SoC1.4 BIONZ X – Sony CXD4236 Internet service provider CXD90027GF SoC2 See also3 References4 Further readingHistory of BIONZ chips in Sony cameras[edit]BIONZ – MegaChips MA07170 and MA07171[edit]The first camera to officially use a so-called BIONZ processor was the DSLR-A700 in 2007, utilizing the MA07170 chip from a MegaChips (MCL) family of 32-fleck RISC processors with MIPS R3000 cadre.Similar MegaChips processors had been used in the DSLR-A100 (MA07169) equally well as in the Konica Minolta 5D (MA07168) and 7D (MA07168), implementing Konica Minolta'south CxProcess Three running nether MiSPO's NORTi/MIPS, an RTOS following the µITRON standard.The MegaChips MA07170 was also used in the DSLR-A200, DSLR-A300, and DSLR-A350. The DSLR-A850 and DSLR-A900 used two such fries in parallel.The MegaChips MA07171 was instead used in the DSLR-A230, DSLR-A290, DSLR-A330, DSLR-A380, and DSLR-A390.BIONZ – Sony CXD4115 ISP[edit]The first BIONZ processor to fully designed in-house by Sony utilized the Sony image processor in . The revised CXD4115-1 was used in the DSLR-A560, DSLR-A580, SLT-A33, SLT-A35, SLT-A55 / SLT-A55V, NEX-5C, NEX-C3, and NEX-VG10.CXD4115 Isp - DSLR-A450, DSLR-A500,DSLR-A550CXD9974GG SoC with CXD4115-1 ISP - NEX-3 / NEX-3C, NEX-5While the DSLR-A450, DSLR-A500 and DSLR-A550 still used a proprietary operating system (nearly probably NORTi equally well), all after models are Linux-based (CE Linux 6 with kernel two.3).BIONZ – Sony CXD4132 ISP CXD90016GF SoC[edit]The following camera models use a Sony CXD4132 series fleck as multicore BIONZ processor: SLT-A37, SLT-A57, SLT-A58, SLT-A65 / SLT-A65V, SLT-A77 / SLT-A77V, SLT-A99 / SLT-A99V / HV, NEX-F3, NEX-3N, NEX-5N,CXD90016GF SoC with CXD4132 Isp - NEX-5R, NEX-5T, NEX-half dozen, NEX-7 / LunarUnidentified - NEX-VG20, NEX-VG30, NEX-VG900, NEX-FS100, DSC-RX1 / DSC-RX1R, DSC-RX100 / Stellar, DSC-RX100M2BIONZ Ten – Sony CXD4236 Isp CXD90027GF SoC[edit]Sony has introduced their next-generation epitome processor dubbed the BIONZ Ten with introduction of ILCE-7 / ILCE-7R in 2013. BIONZ X uses Sony CXD4236 series Isp forth with CXD90027GF SoC. The latter is based on a quad-core ARM Cortex-A5 architecture[2], and is utilized to run Android apps on top of the Linux kernel. It features, among other things, detail reproduction engineering and diffraction-reducing technology, area-specific noise reduction and 16-bit image processing fourteen-bit raw output.[3] It can process up to xx frames per second and features Lock-on AF and object tracking.[4]CXD90027GF SoC with unidentified Internet service provider (Stacked DRAM) - α7, α7R, α7 II, α6000, α6500[5], α99, α7 IIICXD90027GF SoC with CXD4236-1GG Internet service provider - α7S, α7S II[half-dozen], RX100 4, Sony FDR-AX33CXD90027GF SoC with Dual CXD4236-1GG ISP - α7R II[vii], α7R Iii[8]Unidentified - ILCE-5000, DSC-RX10, ILCA-77M2, DSC-RX100 3 and DSC-RX0See too[edit]EXPEED – Nikon's epitome processorsDIGIC – Canon's image processorsImage processorReferences[edit]^ '生産拠点一覧｜会社案内｜ソニーセミコンダクタマニュファクチャリング株式会社'. www.sony-semiconductor.co.jp. Retrieved 2019-01-16.^ [1]^ sony.com.^ http://www.sony-africa.com/production/resources/en_ME/images/Brochure/Digital_still_Camera/Cyber-shot_Catalogue_2014.pdf^ 'SONY Alpha A6300 Mainboard Motherboard MCU PCB REPLACEMENT REPAIR PART • $399.99'. PicClick. Retrieved 2019-01-xvi.^ Cicala, Roger (2017-10-27). 'About Getting Your Camera Wet… Teardown of a Salty Sony A7sII'. LensRentals Web log. Retrieved 2019-01-xvi.^ 'Sony a7R II Teardown'. iFixit. 2015-08-19. Retrieved 2019-01-16.^ 'A Teardown of the New Sony a7R III'. petapixel.com. Retrieved 2019-01-16.Further reading[edit]Sony (2009). http://www.sony.com.sg/microsite/dslr/technologies/bionz.htmlvteMinolta/Konica Minolta/Sony DSLR and SLT A-mount timelineSensor2004200520062007200820092010201120122013201420152016201720183412341234123412341234123412341234123412341234123412341234ProfessionalFull frameα900α99α99 IIα850High-endAPS-CDG-7Dα700α77α77 IIMidrangeα65α68Upper-entryα55α57α100α550α580α58DG-5Dα500α560α450Entry-levelα33α35α37α350α380α390α300α330α200α230α290Early modelsMinolta 7000 with SB-70/SB-70S (1986) · Minolta 9000 with SB-90/SB-90S (1986) (Still video SLRs) Minolta MS-C1100 (1992) · Minolta RD-175 (1995)Unmarried-lens translucent (SLT) camera5-axis in-body image stabilization (assuming)Hd video capable (Video AF)Dual phase-detection AF (italic)vteSony E-mountain MILC timelineFamilyLevelFormat20102011201220132014201520162017201820191234123412341234123412341234123412341234CineAltaCinemaFull-frameVENICEXDCAMDocumentarySuper-35mmFS7FS7 IIMobilityFS5FS5 IINXCAMProfessionalNEX-FS100NEX-FS700NEX-FS700REntry-levelAPS-CNEX-EA50HandycamHigh-EndFull-frameNEX-VG900AdvancedAPS-CNEX-VG10NEX-VG20NEX-VG30Alpha (α)FlagshipFull-frameα9Sensitivityα7Sα7S IIResolutionα7Rα7R IIα7R IIIBalancedα7α7 IIα7 IIIAdvancedAPS-CNEX-7α6500Mid-rangeα6400NEX-6α6300α6000Upper-entryNEX-v / NEX-5CNEX-5NNEX-5RNEX-5Tα5100Entry-levelNEX-3NEX-C3NEX-F3NEX-3Nα5000DSLR-styleα3000α3500SmartShotQX1SecurityProfessionalFull-frameSNC-VB770UMC-S3CSmart Accessory Concluding (one and 2), 5-axis in-torso image stabilization (bold), Auto-lock Accessory Shoe, Multi Interface Shoe, 4K resolution video Retrieved from 'https://en.wikipedia.org/westward/alphabetize.php?championship=Bionz&oldid=884555681' Categories: Sony image processorsCamera firmware Navigation menu Personal tools Not logged inTalkContributionsCreate accountLog in Namespaces ArticleTalk Variants Views ReadEditView history More Search Navigation Master pageContentsFeatured contentCurrent eventsRandom articleDonate to WikipediaWikipedia shop Interaction HelpAbout WikipediaCommunity portalRecent changesContact page Tools What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationWikidata itemCite this folio Print/export Create a bookDownload as PDFPrintable version Languages FrançaisMagyar中文 Edit links This page was final edited on 22 February 2019, at 12:04 (UTC). Text is bachelor under the Artistic Commons Attribution-ShareAlike License;additional terms may utilize. By using this site, yous agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organisation. Privacy policy Well-nigh Wikipedia Disclaimers Contact Wikipedia Developers Cookie statement Mobile view*Authorized dealer prices may vary Overview The Sigma 100-400mm 5-6.3 DG HSM OS Gimmicky is a state-of-the-fine art telephoto zoom that brings a new level of portability and quality to the super telephoto market. Touting Sigma's Optical Stabilizer (Os), the Sigma 100-400mm v-6.3 Contemporary is highly compact and lightweight compared to similar products on the market. A push/pull zooming office and a new Hyper Sonic Motor (HSM) let for a more than responsive approach to photography while a 1:3.eight macro characteristic tin exist utilized from upwards close or from a further distance. Like each and every Global Vision Lens, the Sigma 100-400mm Gimmicky is handcrafted at our single manufacturing plant in Aizu, Nippon and undergoes individual evaluation before leaving Sigma's facility. Upload photos taken with this production Title: Team Roping Jackpot Photo by: River Bend Photography Photographic camera: Nikon Lens: 100-400mm F5-six.3 DG Bone HSM | C Shutter: 1/1600th Aperture: f6.3 ISO Setting: 450 Title: Stephens Aqueduct Alaska Photo past: Rick Decker Camera: Sigma Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/100 Aperture: f6.3 ISO Setting: 200 Product(due south): sd Quattro H Camera Description: Passing Coastguard station in Stephens Channel Title: A Lockheed T-33 Falling star 'Ace Maker' makes a laissez passer at the Duluth Air Show Photo by: Jim Koepnick Camera: Canon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/1600 sec. Discontinuity: F6.iii ISO Setting: 200 Title: The Navy Blue Angels make a tight crossing pass at the Duluth Air Prove Camera: Canon Lens: 100-400mm F5-six.three DG Bone HSM | C Shutter: 1/2500 sec. Aperture: F8 ISO Setting: 500 Championship: European Bee Eater Photo by: Tudor Migia Camera: Sony A Mount Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/400 southward Discontinuity: f/11 ISO Setting: 200 Description: European Bee Eater sitting in the morning light Title: Baltimore Oriole Photo by: Don Loring Photographic camera: Nikon Lens: 100-400mm F5-half dozen.3 DG Os HSM | C Shutter: 1/1250 Sec Discontinuity: f/vii.1 ISO Setting: 1250 Title: Log with turtles Photo past: Nib Millett Photographic camera: Sony Due east-mount Lens: 100-400mm F5-six.3 DG OS HSM | C Shutter: 1/500 Aperture: 8 ISO Setting: 500 Title: Bull Frog Photo by: Bill Millett Camera: Sony E-mount Lens: 100-400mm F5-6.iii DG Os HSM | C Shutter: 1/320 Aperture: 6.three ISO Setting: 400 Title: BA A380 YVR Photo past: Jeff Wilson Camera: Nikon Lens: 100-400mm F5-vi.3 DG Bone HSM | C Shutter: ane/500 Aperture: f8 ISO Setting: 160 Title: Hammond'due south Flycatcher Photograph by: Kevin Fechtelkotter Camera: Canon Lens: 100-400mm F5-half dozen.three DG OS HSM | C Shutter: 1/400 Aperture: F/6.3 ISO Setting: 1600 Clarification: A Hammond's Flycatcher photograph-captured in the forest shadows of Custer State Park in western Due south Dakota, Usa. Championship: Wildlife Photo by: Santosh Gorla Camera: Nikon Lens: 100-400mm F5-half dozen.three DG OS HSM | C Shutter: one/80 Aperture: f 11 ISO Setting: 250 Title: Nature Photo past: Santosh Gorla Camera: Nikon Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/l sec Aperture: f xi ISO Setting: 250 Description: Nature Title: Heron Photograph by: Santosh Gorla Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: ane/eighty sec Discontinuity: f6.three ISO Setting: 250 Title: Cooper's hawk Photo by: Silveragemarvel Camera: Nikon Lens: 100-400mm F5-half dozen.three DG Os HSM | C Shutter: ane/180 Aperture: f8 ISO Setting: 1600 Description: Image cropped and pp Title: Holding a strawberry moon Photo by: 11 (Zoran) He Camera: Sony A Mountain Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1 sec Aperture: F/xi ISO Setting: 100 Clarification: My offset fourth dimension try to shoot the moonrise. The moon will align with the Statue of Freedom during full moon in May and June every year. When the moon just rise to the correct alignment, it looks like the Statue of Liberty is belongings the Moon. Title: Blue Herons Photo by: william millett Photographic camera: Sony E-mount Lens: 100-400mm F5-half-dozen.3 DG OS HSM | C Shutter: one/m Aperture: 8 ISO Setting: 320 Description: Blue Heron Family Title: Dragonfly Photograph by: william millett Camera: Sony Due east-mount Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1/500 Aperture: ix ISO Setting: 640 Description: Dragonfly Title: Wait what I got Photograph past: Doug43 Camera: Catechism Lens: 100-400mm F5-6.iii DG Bone HSM | C Shutter: 1/2000 Aperture: F.i ISO Setting: 6400 Championship: Bird Nerd Photo by: Santosh Gorla Photographic camera: Nikon Lens: 100-400mm F5-vi.three DG Bone HSM | C Shutter: 1/400 sec Discontinuity: f 6.three ISO Setting: 100 Description: Birds & Nature ... Title: Formulas DXB, Dubai Photograph by: Joaquim Gonsalves Camera: Canon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: one/250 Aperture: 8 ISO Setting: 100 Description: 400mmCanon 7D Mark IIPractice SessionsLens Review Video Championship: Audi TT - Teacher Car, Dubai Photo by: Joaquim Gonsalves Photographic camera: Catechism Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/250 Aperture: 8 ISO Setting: 100 Description: 160mmCanon 7D Marking IIPractice SessionsLens Review Video Title: Let's Go For A Spin, McLaren P1, Dubai Photo past: Joaquim Gonsalves Photographic camera: Catechism Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/250 Discontinuity: 6.3 ISO Setting: 1250 Description: 172mmCanon 7D Marker IIPractice SessionsLens Review Video Championship: McLaren P1, Pit Lane, Dubai Photo by: Joaquim Gonsalves Camera: Canon Lens: 100-400mm F5-half dozen.iii DG Bone HSM | C Shutter: 1/250 Aperture: half-dozen.3 ISO Setting: 1250 Description: 400mmCanon 7D Marking IIPractice SessionsLens Review Video Title: Full Dubai Moon Photo by: Joaquim Gonsalves Camera: Canon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: 1/80 Aperture: 8 ISO Setting: 100 Description: 400mmCanon 7D Mark IIPractice SessionsLens Review Video Title: Resting dragonfly Photograph by: Chris Spicer Camera: Nikon Lens: 100-400mm F5-half dozen.3 DG OS HSM | C Shutter: 1/640 Aperture: F/nine ISO Setting: 400 Description: Who tin can resist taking a photo of a Dragonfly up close and personal. I too angled for a clean background of a small-scale waterfall to incorporate some glistening in the bokeh. Title: door, Piru Photo by: Frank Foster Camera: Sigma Lens: 100-400mm F5-half-dozen.3 DG Os HSM | C Shutter: ane/100 Aperture: f-16 ISO Setting: 200 Product(s): sd Quattro Camera Clarification: Door to an abandoned residence in Piru, California Title: Adult Male Cardinal - Long Island, NY Photo past: Christopher Henry Hachmann Camera: Canon Lens: 100-400mm F5-vi.3 DG Bone HSM | C Shutter: 1250 Aperture: 6.3 ISO Setting: 400 Description: 1st Mean solar day with the lens. Very Impressed. Title: Gilded-Ringed Dragonfly Photo by: Mike Smith Camera: Nikon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: 1/800 Aperture: f8 ISO Setting: 400 Clarification: Dragonfly on a river depository financial institution, in shade. Delighted with this lens. Title: puzzle Photograph past: Frank Foster Camera: Sigma Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/100 Aperture: f-11 ISO Setting: 200 Production(s): sd Quattro Camera Description: This epitome was taken of Rainbow Bowl Natural Area. Title: Vinci Photo by: Dave Scibek Camera: Nikon Lens: 100-400mm F5-half dozen.3 DG Bone HSM | C Shutter: 1/1600 Aperture: f6.three ISO Setting: 800 Description: From W&SFG Cincinnati Title: lilac breasted roller Photo by: Carol A Biunno-Petscavage Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: ane/1000 Aperture: 6.3 ISO Setting: 140 Description: Southern Africa Risk Title: Baboon Photograph by: Carol A Biunno-Petscavage Camera: Nikon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: one/125 Aperture: six.3 ISO Setting: 160 Description: from my Southern African Take chances Title: Bird Photograph by: Ervin Hegedűs Photographic camera: Canon Lens: 100-400mm F5-vi.3 DG Os HSM | C Shutter: 1/320 Aperture: 6.3 ISO Setting: 500 Title: chestnut breasted mannikin Photo past: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-half dozen.3 DG OS HSM | C Shutter: 1/1250 Discontinuity: 6.iii ISO Setting: 500 Title: Pacific Blackness Duck Photo by: Michael Madden Camera: Canon Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/2500 Aperture: 6.3 ISO Setting: 800 Title: Seagull Photograph past: Michael Madden Camera: Canon Lens: 100-400mm F5-six.3 DG Bone HSM | C Shutter: i/2000 Aperture: eight.0 ISO Setting: 800 Title: Cormorant in flying Photograph by: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: one/2000 Aperture: 6.3 ISO Setting: 320 Championship: Superb Fairy Wrens Photo by: Michael Madden Photographic camera: Catechism Lens: 100-400mm F5-vi.3 DG OS HSM | C Shutter: 1/640 Aperture: half-dozen.iii ISO Setting: 640 Description: Took this and idea of the wedding that I'm going to this afternoon. Title: Wrens Photo by: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-vi.3 DG OS HSM | C Shutter: ane/640 Aperture: vi.3 ISO Setting: 640 Title: Cormorant in flying Photo by: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-six.3 DG OS HSM | C Shutter: 1/2000 Discontinuity: 6.3 ISO Setting: 320 Title: Pup Pup (lens examination subject) westward/o TC-1401 Photo by: Mark Hoza Camera: Sony A Mount Lens: 100-400mm F5-6.iii DG OS HSM | C Shutter: 1/2500 Aperture: f/8 ISO Setting: 3200 Description: Pup Pup is our standard subject area for testing lenses for sharpness and autofocus. Championship: Pup Pup (lens test discipline) w/ TC-1401 Photo by: Marker Hoza Camera: Sony A Mount Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/1000 Discontinuity: f/9 ISO Setting: 3200 Clarification: Pup Pup is our standard subject field for testing lenses for sharpness and autofocus Title: Brahminy Kite Photograph by: Michael Madden Camera: Canon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: one/2500 Aperture: 6.3 ISO Setting: 640 Description: This kite flies over the boat ramp most every day between iv and five pm. Title: Brahminy Kite Photo by: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-half dozen.3 DG Bone HSM | C Shutter: 1/2500 Discontinuity: 6.iii ISO Setting: 640 Description: This kite flies over the gunkhole ramp between 4 and 5 pm almost every day. Title: Coochiemudlo Gull Photograph by: Michael Madden Camera: Catechism Lens: 100-400mm F5-vi.three DG OS HSM | C Shutter: i/2000 Aperture: 7.i ISO Setting: 320 Title: Coot on the Run Photo by: Michael Madden Photographic camera: Canon Lens: 100-400mm F5-six.3 DG OS HSM | C Shutter: 1/2000 Discontinuity: vii.1 ISO Setting: 800 Title: Bird Photo by: Marius Camenita Photographic camera: Nikon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: 1/1250 Discontinuity: 6.iii ISO Setting: 80 Title: Bird of prey Photo by: Marius Camenita Photographic camera: Nikon Lens: 100-400mm F5-vi.3 DG Os HSM | C Shutter: one/400 Aperture: 6.3 ISO Setting: 720 Title: Gray Jay Photo past: Daryl Dooks Camera: Canon Lens: 100-400mm F5-six.3 DG Bone HSM | C Shutter: 1/250 Aperture: 6.vii ISO Setting: 400 Description: Greyness Jay in Ontario'southward Algonquin Provincial Park Title: whitetail Photo by: anthony pitale Camera: Nikon Lens: 100-400mm F5-6.three DG Bone HSM | C Shutter: 1/500 Discontinuity: f8 ISO Setting: 1600 Description: Whitetail doe Title: Kambala Photo past: anil avil fernandes Camera: Nikon Lens: 100-400mm F5-6.iii DG OS HSM | C Shutter: 1/800 Aperture: v.6 ISO Setting: 1600 Description: Kambala is an annual Buffalo Race held traditionally nether the sponsorship of local Tuluva landlords and households in the littoral commune's of Dakshina Kannada and Udupi of Karnataka Bharat which is termed under single region known every bit Tulu Nadu. Title: Kambala Photo past: Anil Avil Fernandes Camera: Nikon Lens: 100-400mm F5-six.3 DG Bone HSM | C Shutter: 1/800 Aperture: v.six ISO Setting: 1600 Description: Kambala is an annual Buffalo Race held traditionally nether the sponsorship of local Tuluva landlords and households in the coastal commune's of Dakshina Kannada and Udupi of Karnataka India which is termed under single region known as Tulu Nadu. Title: PATRULLA AGUILA (Eagle PATROL) Espana Photo by: Juan Sol Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: i/k s Aperture: f/v.half dozen ISO Setting: 100 Clarification: The 'Patrulla Aguila' flying over my house, when making holding patterns before heading for a national celebration parade. Title: Kambala Photo by: anil avil fernandes Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: i/1250 Aperture: five.half dozen ISO Setting: 500 Description: Kambala is an almanac Buffalo Race held traditionally under the sponsorship of local Tuluva landlords and households in the littoral district'south of Dakshina Kannada and Udupi of Karnataka India which is termed under single region known as Tulu Nadu. Title: Snowy stare Photo by: Jim Gill Camera: Sony Due east-mount Lens: 100-400mm F5-half dozen.three DG Bone HSM | C Shutter: 1/chiliad Discontinuity: 5.vi ISO Setting: 125 Description: Several Snowy Owls winter in Southern Ontario near my habitation. I spotted this ane late in the afternoon my beginning time out looking the, the day I purchased my Sigma 100-400c. Title: Lioness Chase Photo by: Mike Gulbraa Photographic camera: Canon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/1600 Aperture: 8 ISO Setting: 1000 Description: Great Migration Safari in Tanzania Title: Crab Remains Photograph by: Daryl Dooks Photographic camera: Canon Lens: 100-400mm F5-six.3 DG Os HSM | C Shutter: ane/350 Aperture: f/8 ISO Setting: 800 Description: The color/pattern of these crab remains demonstrate the resolving power of the 100-400C. Title: Royal Tern Photo by: Daryl Dooks Camera: Canon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: i/500 Aperture: F/8 ISO Setting: 800 Description: This isolated Royal Tern was undisturbed by my presence, enabling me to obtain several images at a rubber altitude with my Sigma 100-400C. Title: Inca Tern from Republic of peru Photo by: Cindy Bird Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/xxx sec Discontinuity: f/5.6 ISO Setting: 1250 Description: This beautiful bird, native to Republic of peru and Chili, was taken in the Aviary Heart in the Milwaukee Canton Zoo, USA. My new Sigma 100-400, used for the first time, did an outstanding job!! Title: Osprey Catch Photo by: Ted Roberson Camera: Nikon Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/1250 Aperture: F8 ISO Setting: 1250 Description: Watching Ospreys feed on fish in Newport News, VA. Title: Birding in Indicate Pelee, Ontario Photo past: David Hamments Photographic camera: Nikon Lens: 100-400mm F5-6.iii DG OS HSM | C Shutter: 1/g Aperture: 6.3 ISO Setting: 1100 Description: Indicate Pelee is the southernmost tip of Canada and a haven for many bird varieties. 'Twitchers' from all over the world come hither in May to capture as many species every bit possible... Title: B2 Photograph by: David Hamments Photographic camera: Nikon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: one/500 Discontinuity: vi.3 ISO Setting: 100 Description: B2.... the latest addition to the family. Title: White-bellied Sea Eagle Photograph by: Michael Madden Camera: Canon Lens: 100-400mm F5-6.3 DG Bone HSM | C Shutter: i/800 Discontinuity: vi.3 ISO Setting: 400 Title: Hornblower Dock at Niagara Photograph by: Joe White Camera: Nikon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: ane/2000 Aperture: f8 ISO Setting: 400 Description: Note level of item at 400 mm focal length. 600mm equivalent on DX sensor. Amazing lens Sigma! Title: Mallard Portrait Photo past: Daryl Dooks Camera: Catechism Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/xxx Aperture: f5.vi ISO Setting: 400 Description: Os worked great for this wearisome shutter speed shot Championship: Frog Photograph past: Daryl Dooks Camera: Catechism Lens: 100-400mm F5-half dozen.iii DG Bone HSM | C Shutter: one/250 Discontinuity: f5.6 ISO Setting: 400 Description: Minimum focusing distance of the 100-400C allowed me to keep a non-disturbing distance for a nifty shut-up. Championship: Female Red-Winged Blackbird Photo by: Daryl Dooks Photographic camera: Canon Lens: 100-400mm F5-6.iii DG OS HSM | C Shutter: i/750 Aperture: f5.vi ISO Setting: 400 Description: This female bird was being protective of her nearby hidden nest and came in shut to scold me. Championship: His majesty! Photograph by: Ashish Jagdale Camera: Canon Lens: 100-400mm F5-vi.3 DG Os HSM | C Shutter: 1/800 Aperture: f/5 ISO Setting: 800 Description: One of the most famous Alpha male person tiger from Kanha tiger reserve, madhya pradesh, Republic of india. This magnificent fauna goes by the name 'Umarpaani', which is derived from the ficus(umar) tree under which his mother was ordinarily sighted. This photo was clicked on a sighting on June 11th, 2018, in the Mukki zone. Title: Livingston Airport I Presume Photo by: Aaron Kendal Camera: Canon Lens: 100-400mm F5-6.iii DG Os HSM | C Shutter: 1/200 Aperture: f10 ISO Setting: 100 Description: Aeriform shot of Livingston Airport in Howell, Michigan. Photo taken while flying at 6,500 anxiety. Get-go utilize of my Sigma 100-400. Title: Viking battle Photo past: Steen Larsen Camera: Nikon Lens: 100-400mm F5-6.iii DG OS HSM | C Shutter: 1/500 Aperture: eleven ISO Setting: 450 Description: The final boxing between the final two fighters Title: Refill Photo by: Rod Burgess Camera: Sony E-mount Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/yard Discontinuity: 6.three ISO Setting: 400 Clarification: Sitting on the patio enjoying these piffling guys. They non at all shy. Title: Young Kit Photo by: Mike Katona Photographic camera: Sony East-mountain Lens: 100-400mm F5-6.three DG OS HSM | C Shutter: 1/1250 Aperture: f6.3 ISO Setting: 1600 Clarification: outset photo taken this forenoon with new 100-400 Title: Piper Photo by: Angela Ellis Camera: Nikon Lens: 100-400mm F5-half-dozen.3 DG Bone HSM | C Shutter: 1/500 Discontinuity: vi.0 ISO Setting: 2800 Description: I received my new lens today and could not wait to effort information technology out. A friend brought her domestic dog Piper over for a quick photograph shot. Title: Gulf Fritillary and yellowish wildflowers at Brazos Bend State Park! Photo by: Lawrence Jefferson Camera: Nikon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/800 Aperture: 6.three ISO Setting: 500 Championship: Morning-glory blooming in the early morning lite! Photo past: Lawrence Jefferson Camera: Nikon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1/800 Aperture: 7.1 ISO Setting: 400 Championship: Soccer Photograph by: Ton Niessing Camera: Nikon Lens: 100-400mm F5-six.iii DG Bone HSM | C Shutter: ane/1250 Discontinuity: f6.0 ISO Setting: 250 Title: goose Photo past: Ton Niessing Camera: Nikon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1/1250 Aperture: f5.6 ISO Setting: 400 Title: Soccer Photo by: Ton Niessing Camera: Nikon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: i/8000 Aperture: f6.3 ISO Setting: 1100 Title: More than than what I can chew Photo past: Chandan Pal Camera: Nikon Lens: 100-400mm F5-vi.3 DG OS HSM | C Shutter: 2000 Aperture: f8 ISO Setting: 800 Title: Eagle in the wild 1 Photo past: George Gabriel Camera: Catechism Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/2000 Aperture: f/8 ISO Setting: 200 Description: Taken paw held at Conowingo HydroElectric Dam Title: Eagle in the wild 2 Photo by: George Gabriel Camera: Catechism Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: ane/2000 Aperture: f/eight ISO Setting: 200 Description: Taken mitt held at Conowingo HydroElectric Dam Title: My Perch Photograph by: Bernie Filippi Photography Camera: Canon Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1/400 Aperture: F8 ISO Setting: 200 Championship: Turkey Vulture Photo by: C. McMurray Camera: Nikon Lens: 100-400mm F5-vi.3 DG Bone HSM | C Shutter: one/1000 Aperture: 6.iii ISO Setting: 640 Description: Gray Lodge Wildlife Refuge in Northern California. Title: Squirrel in Tree Photograph by: William Bohan Camera: Sony E-mount Lens: 100-400mm F5-6.3 DG Os HSM | C Shutter: 1/500 Aperture: f/6.3 ISO Setting: 2500 Description: Shot with Sony NEX-half dozen, MC-11 and this lens. Championship: The eye Photo past: PHAT PHUSIRI Photographic camera: Canon Lens: 100-400mm F5-6.3 DG OS HSM | C Shutter: 1/eight Aperture: F6.3 ISO Setting: 6400 Tech Specs LENS CONSTRUCTIONSPECIFICATIONSLens Construction21 Elements in 15 GroupsAngle of View (35mm)24.4º-6.ii ºNumber of Diaphragm Blades9Minimum Aperturef22Minimum Focusing Distance160 cm / 63 inFilter Size (mm)67mmMaximum Magnifications1:iii.8Dimensions (Diameter x Length)86.4x182.3mm/ iii.4x7.2inWeight1160g/ 40.9oz.Corresponding MountsSigmaHSM DG OSNikonHSM DG OSCanonHSM DG OSHSM -Hyper-Sonic Motor DG - DG for Digital Full Frame and APS-COS - Optical Stabilizer * The appearance, specifications, and the like of the product are subject to change for improvement without notice.GEOMETRICAL MTF Chart DIFFRACTION MTF Chart Effective DISTORTION RELATIVE DISTORTION VIGNETTING Ratings & Reviews Write a Review Write Your Own Review How do you charge per unit this production? * Quality Price Value *What's your nickname? *Summary of Your Review *Let us know your thoughts Submit Review Customer Reviews. nine review(s) Review by wab25 Posted on iii/11/2019 Works peachy with Sony NEX-6 I just got this lens, with the MC-11 to utilise on my Sony NEX-6. Looking around online, I didn't find any reports on how well it would piece of work with this photographic camera. I wanted to study that information technology is working not bad with the camera. Information technology has an effective range of 150-600mm with this photographic camera, every bit information technology is a crop sensor. The pictures come out dandy. All the different focus modes seem to work.The only event I accept had, is in the full auto shooting modes, where the camera determines whether its a portrait or mural or handheld dark shot or if there is a face in the movie. If you start with the lens way out of focus (like you only shot something very close, so y'all go to something far away) it can get confused and never really focus. But, I believe this is more an issue with the camera, when information technology starts to focus the photographic camera keeps irresolute its heed on what kind of picture to take and where to focus. I don't aspect this to the lens. If you put it into one of the non auto modes, then things amend significantly. If you prepare the camera to focus on the heart spot, the auto focus is very quick and accurate. The manual override focus style works too. (this is where information technology machine focuses, so you employ the focus ring and the photographic camera crops in to permit y'all fine melody the focus)Overall, very pleased. Review by CMCM Posted on 3/5/2019 Exceptional Lens It was a flake of a journey to decide on this lens. Start I rented a 150-600 from a competitor, which I wasn't impressed with. Then I rented the famous 200-500, which was wonderful but huge, heavy and tiring to utilise. I already had a small AF-P 70-300 but wanted a chip more than reach. Every bit I looked at focal lengths from 200-300-400-500-600, I constitute there was not really a huge gain in achieve from 400 to 500 or even 600mm, simply there was a overnice gain from the 300mm I already had to the 400mm of this lens. I finally decided I could be happy with this shorter FL and then crop to reach the longer equivalent to those larger lenses. More than important a consideration, I also realized that it was a big deal to go out shooting with the big lenses, but ever so much easier to take this 100-400 around with me because it hands fit mounted on my camera into a couple of my camera bags, so I knew I would definitely use the lens a lot whereas with the larger lenses, probably not so much, being realistic virtually it. Side by side I compared the 100-400 to a competitor's equivalent focal length, and immediately preferred Sigma's lens, which was noticeably better in many means. It'southward tack abrupt in a mode other lenses are not, the colors are more vibrant and cute, I like the C1 and C2 custom focus/OS switches and the more detailed focus limiter switches, the lens hood is nicer, I felt the OS was far meliorate, plus the build quality is solid and impressive. I similar to shoot flight birds, and the focus, lock and tracking ability is superior and I become the shots I want. I got a cracking price on the lens including both filter and dock, so I was very pleased. Nevertheless, right out of the box my lens was perfectly tack sharp at all points in the FL, so no dock adjustment was fifty-fifty needed. Thus far I accept only used the dock for a firmware update, which was easy to do, just it'south nice to have the dock for future updates. This has quickly become my favorite lens of all, and information technology's a joy to use. The weight is reasonably low, then it's easy to walk around with for long periods of time, and and then much fun and piece of cake to shoot with. I'g 100% happy with my purchase of the Sigma 100-400 lens. Fabled lens on both my Nikon D7500 and D5600. Review by oldnorwegian Posted on three/25/2018 Flawless with a D3400 The lens precisely performs all of the focus functions the camera has settings for both alone and with a 1.4 converter. The same with the Bone at all ranges--and this is tested past 78 twelvemonth old shaky hands. And of course the pictures are beautiful. I recommend this lens without reservation. Review by BozemanMark Posted on 11/12/2017 Great wildlife lens for travel This lens is a great supplement to my 150-600 Contemporary. I will actually take this lens for travel. I love my 150-600 for road trips to Yellowstone, and accept gotten some great shots with information technology, but it is really as well large and heavy for many trips. The 100-400 works keen with my Sony A6300/MC-11 setup, and produces nice sharp pictures. AF is fast and accurate. It also works well with the TC-1401 extender in AF-S and AF-C in Broad, Middle, or Flexible spot modes. I have posted a couple test shots of Pup Pup, my lens exam model. Review by WETSU76 Posted on 9/xviii/2017 GREAT LENS Rented this 100-400mm lens (F-Mount) for my Nikon DX bodies recently for a long weekend and was amazed by the results I was getting. I had previously rented the sigma 150-600mm (C) lens and establish that to exist a piffling too heavy, simply this niggling beast was a joy to behave around all mean solar day. This lens is abrupt, light and fast, but I do wish it had a tripod collar. That is the extent of the only 'CON' I take for this lens...hopefully sigma adds that in the side by side incarnation of this unit.Regardless I roughshod in love with this lens and ordered it to add together my always growing list of photographic camera gear... Review by cocopics Posted on 9/vii/2017 100-400mm F5-6.3 DG OS HSM | C for Nikon I bought this lens to accept with me to Southern Africa this past July. Nosotros went on a Bout of South Africa, Namibia, Zimbabwe and Botswana. The wildlife and birding was amazing and this lens was awesome capturing this wonderful journey. I did use a monopod with it. I wish information technology had a tripod collar but it work great with the camera body on the monopod. I wish there was a way to post some of my images to show what this lens can do. Thanks Sigma for this great lens. Review by Mexberry Posted on 8/i/2017 Keen travel zoom. This lens is lite plenty for me to employ equally a travel zoom and combined with a 1.iv adaptor will give enough reach to capture bird images. A versatile lens that captures good images. It works with both. Nikon FX and DX bodies. Too bad the padded storage pocketbook is not included. Review by Mike Posted on vii/21/2017 Splendid I accept mainly wildlife shots, commonly 'birds-in-flight'(BIF'S) and have used many long zoom lenses. This lens is precipitous, lite and fast - exactly what i demand for all day on my feet. The prototype quality is superb, its noise and chromatic aberrations are modest if at all. I tin shoot broad-open and use the same lens for shut-up insects and afar BIF's. At this price its a cracking buy! Review by Malcolm Posted on 7/seven/2017 Good value The lens is light enough for me to carry all day. The quality of the images is as skillful equally expected, focusing was fast and the Os works well with my Nikon750. Disappointed that there is no cream padded storage case, hence only four stars for value. Can Sogma make the Captcha images easier to read? Resource FOCAL LENGTH SIMULATORThe focal length changes the angle of view in an image. The longer the focal length, the smaller the angle of view and the greater the magnification.VIEW DETAILSSIGMA LENS TECHNOLOGYLearn about the state of the art technology put into Sigma lenses to ensure high quality images.VIEW DETAILSLENS TELECONVERTER COMPATIBILITY CHARTGet more than reach with what yous have. Cheque the compatibility of your lens with the teleconverter chart.VIEW DETAILSLENS CHARTNeed more information on a lens? Cross reference all the specs using the lens nautical chart.VIEW DETAILSLENS COMPATIBILITY CHARTCheck the compatibility of lenses with your photographic camera make and model.VIEW DETAILSLENS Chart FOR RECENTLY DISCONTINUED LENSESGet all the data you lot need on discontinued lenses.VIEW DETAILSMTF Chart GUIDESee how a lens performed using the Modulation Transfer Role (MTF) Chart Guide. The MTF is just ane criterion used to evaluate lens performance.VIEW DETAILS Accessories Accessories 9 Item(due south) View All Sigma USB Dock Price: $59.00 67mm Front Lens Cap Price: $8.00 67mm Protector AFE9A0 Price: $37.00 67mm WR Protector AFE9D0 Price: $61.00 67mm WR UV Filter AFE9B0 Toll: $seventy.00 67mm WR CPL Filter AFE9C0 Price: $118.00 67mm WR Ceramic Protector Price: $93.00 Mount Converter MC-11 Cost: $249.00 Lens Hood LH770-04 729 Price: $27.00 9 Item(southward) View All Lenses By Type Wide Angle Lenses Standard Lenses Telephoto Lenses Multi-purpose Lenses Macro Lenses Fisheye Lenses Os Lenses MC-11 Uniform Lens Kits USB Dock Compatible The F2.eight Zoom Trio The F1.4 Mirrorless Trio View All Past Apply Travel Landscape Wedding & Events Portrait Family Nature & Wild animals Sports & Action Specialty Past Format DC for APS-C DG for Full Frame DN for Mirrorless Lens ResourcesSigma OutletInstant SavingsAwards DiscontinuedLens ResourcesReturn PolicyProduct Stories where to purchase about sigma Sign up for the Sigma newsletter Sign Upward for Our Newsletter: Subscribe Contact Sigma Sigma Support: 1.800.896.6858Technical Support: 1.800.896.6858Sigma Corporation of America15 Fleetwood CourtRonkonkoma, NY 11779Product FinderCamerasLensesFlashesAccessoriesInstant SavingsSigma OutletCinePhoto GalleriesSigma BlogSigma ProsService & SupportAbout SigmaWhere to BuyDealer Login Copyright ©2019 Sigma Corporation of America. All Rights Reserved. Privacy Policy Terms & ConditionsFrom Wikipedia, the free encyclopedia Spring to navigation Jump to search Sony α99OverviewTypeDigital single-lens translucent cameraLensLensSony mountain; compatible with Minolta A-blazon bayonet mount.Sensor/mediumSensor35.half-dozen mm × 23.8 mm Exmor CMOS sensorMaximum resolution6000 10 4000 Pixel (24.three megapixels)StorageMemory Stick PRO Duo™/Pro-HG Duo™ media; SD, SDHC and SDXC memory cardFocusingFocus modesPredictive control(AF-A, AF-C), Depth Map Assist AF (AF-D), Focus Lock, Eye-start AFFocus areasWide (auto,xix points)/Zone/Spot/Local selectableExposure/meteringExposure modesMode: Auto, Plan AE (P), Aperture priority (A), Shutter priority (Southward), Manual (1000), Scene Selection, Sweep Panorama, Tele-zoom Continuous Advance Priority AE, MovieExposure metering1200-zone evaluative meteringMetering modesMulti-segment, Center-weighted, SpotShutterShutterElectronically controlled, vertical-traverse, focal-plane typeShutter speed rangeStill images: 1/8000 to 30 sec, BulbContinuous shooting10fpsViewfinderViewfinder1.3 cm electronic viewfinder with 2,359k dots, 100% field of view, 0.71 10 magnificationGeneralRear LCD monitor3.0', one,228,800 dotsBatteryNP-FM500H Lithium-Ion rechargeable bombardment (1650 mAh)Weight733 thousand (25.9 oz), body onlyThe Sony Alpha 99 was appear by Sony on September 12, 2012. It was the flagship Sony DSLR camera and of the Sony Alpha SLT line[1] until late 2016 when it was replaced by the Sony α99 II.It features the 24.3MP 35mm full-frame Exmor APS Hard disk drive CMOS sensor, with the normal sensor range of ISO 100-3200.[two] The selectable sensitivity is up to ISO 25600, which makes this photographic camera able to capture notwithstanding images in depression-light environments.[3] This camera can besides combine vi images together, to generate a single image with 2 additional steps of ISO sensitivity. This is also the offset Sony Alpha camera to use the new Sony 'Mult-Interface' shoe which is a standard ISO shoe with proprietary contacts at the front of the shoe. This allows use of standard ISO hotshoe accessories without the demand for adapters as in previous Alpha models. The camera ships with an adapter to allow use of older Minolta-manner hot-shoe accessories.Similar Sony'south APS-c flagship, α77, the α99 has the power to tape Total Hd 1080 video with up to 60p frame charge per unit. In markets outside China, this camera besides has built-in GPS that allows recording of position information into the photograph. The α99 also uses a three-way tiltable LCD, as used on α77, this feature allows the lensman to view the LCD from any angle. Alongside the lens mount Sony has replaced the traditional autofocus mode pick dial with a 'Silent Multi-Controller' which is a customizable dial with silent detents and a central button used for confirmation. The punch's function tin can be brought upward with a press of the central button and and so changed using the dial silently during moving picture or all the same recording. The dial's functions tin can as well be changed on the fly by long-pressing the button then selecting whichever function is desired.For flexibility Sony α99 allows users to use Sony'due south crop APS-C DT lenses and consequently automatically cropping the image to the smaller frame.[4]An updated version, the Sony α99 II, was appear at Photokina in September 2016.Contents1 Model variants2 Hasselblad HV3 Features3.1 Epitome and autofocus3.2 ISO3.three Ergonomy4 Performance5 Run into also6 ReferencesModel variants[edit]Model variants of the Alpha 99 photographic camera body:SLT-A99V with GPS.SLT-A99 without GPS (depending on state).Hasselblad HV[edit]In Feb 2014, Hasselblad introduced a restyled Sony A99 every bit Hasselblad HV. According to the visitor'south press-release, their version of A99 is 'tough as nails', featuring more than robust construction than the original.[five]Features[edit]Image and autofocus[edit]24.3MP 35mm full-frame Exmor APS Hard disk drive CMOS sensor.Updated BIONZ prototype processor.A dual AF System (19 102 points, 11 cross type).1200-zone evaluative exposure metering.TTL phase-detection auto focusing.ISO[edit]ISO sensitivity 100-25600.Ergonomy[edit]TruFinder XGA OLED Electronic viewfinder with 100% frame coverage.Functioning[edit]In the DxOMark Overall Sensor Score test, which is based on all characteristics of a camera sensor, the Sony Blastoff 99 scores 89 points, which equals the score of the Nikon D4 and the Stage Ane P65 Plus medium format camera, with the Nikon D800E, D800 and D600 being the just digital SLRs that get a higher score. Therefore, as of September 2013, the Sony Alpha 99 scores college than all DSLRs from Canon and all DSLRs except those listed here from Nikon, including their professional person models.[6]See besides[edit]Sony α99 II (ILCA-99M2) (successor model)References[edit]Wikimedia Commons has media related to Sony SLT-A99 and Taken with Sony SLT-A99.^ 'Sony introduces total-frame a99 flagship digital SLR'. bjp-online.com. Archived from the original on 15 September 2012. Retrieved eighteen April 2018.^ Sony a99 Total-Frame SLT Camera Body, Sony.com^ Sony Printing Centre 'Archived re-create'. Archived from the original on 2012-09-17. Retrieved 2012-09-17.CS1 maint: Archived copy as championship (link)^ 'Sony Blastoff a99 review Sony gets dorsum in the full-frame game'. Retrieved July sixteen, 2013.^ http://printing.hasselblad.com/press-releases/2014/2014-02-03_pr_hv.aspx^ world wide web.dxomark.com Retrieved 28 September 2013.vteMinolta/Konica Minolta/Sony DSLR and SLT A-mount timelineSensor2004200520062007200820092010201120122013201420152016201720183412341234123412341234123412341234123412341234123412341234ProfessionalFull frameα900α99α99 IIα850High-endAPS-CDG-7Dα700α77α77 IIMidrangeα65α68Upper-entryα55α57α100α550α580α58DG-5Dα500α560α450Entry-levelα33α35α37α350α380α390α300α330α200α230α290Early modelsMinolta 7000 with SB-70/SB-70S (1986) · Minolta 9000 with SB-90/SB-90S (1986) (Still video SLRs) Minolta MS-C1100 (1992) · Minolta RD-175 (1995)Single-lens translucent (SLT) camera5-axis in-body epitome stabilization (bold)HD video capable (Video AF)Dual phase-detection AF (italic)vteDSLR, SLT, and MILC cameras with HD video (comparison)CanonEOSHigh-end5D Marking II7D1D Marking IV1D X5D Marker III1D C6D7D Marker II5Ds/5DsR1D Ten Marker II5D Mark IV6D Mark IIRMid-range500D60D550D600D650DM700D70DM2750D760DM380DM5800D77DM6200DM50RPEntry-level1100D100D1200DM101300DM1002000D4000D250DNikonD / i / ZHigh-endD300SD3SD800D4D600D610D4SD810D750D810AD500D5D850Z 7Mid-rangeD90D5000D7000D51001 V11 V2D5200D7100D53001 V3D5500D7200D5600D7500Z 6Entry-levelD31001 J1D32001 J21 S11 J31 AW1D33001 J41 J5D3400D3500OlympusMicro 4/3High-endPEN-FE-M1 Mark IIE-M1XMid-rangeE-M5E-P5E-M1E-M5 Marking IIE-M10E-M10 Marker IIE-M10 Marking IIIEntry-levelE-PL1E-P1E-P2E-PL2E-PL3E-P3E-PM1E-PL5E-PM2E-PL7E-PL8E-PL9PanasonicLumixHigh-endGH1GH2GH3GH4GH5G9GH5SS1S1RMid-rangeG2G3GX1G5G6GX7G7GX8GX85G85GX9G95Entry-levelGF1G10GF2GF3GF5GF6GM1GM5GF7GF8GX850GF9GF10Pentax 645 / K / QHigh-end645D645ZK-1K-1 IIMid-rangeK-7K-5K-30K-v IIK-50K-3K-3 IIK-70KPEntry-levelK-xK-rQK-01Q10K-500Q7Q-S1SamsungNXHigh-endNX1Mid-rangeNX5NX10NX11NX20NX30Galaxy NXNX500Entry-levelNX100NX200NX1000NX210NX300NX1100NX2000Sony αHigh-endα99Vα7α7Sα7IIα7RIIα7SIIα99 IIα9α7RIIIα7 IIIMid-rangeα580α560α55Vα77VNEX-7NEX-6α65Vα57α58α6000α77 IIα6300α6500α6400Entry-levelNEX-3/NEX-3CNEX-v/NEX-5Cα33α35NEX-5NNEX-C3NEX-F3α37NEX-5RNEX-5Tα3000α5000FujifilmX / GHigh-endX-Pro2X-T2GFX 50SX-H1X-T3GFX 50RMid-rangeX-Pro1X-E1X-E2X-T1X-T10X-T20X-E3X-T30Entry-levelX-M1X-A1X-A2X-A3X-A10X-A5X-A20X-T100LeicaHigh-endMSSLHasselblad XCD / HHigh-endX1D-50cH6XH6D-50cH6D-100c Retrieved from 'https://en.wikipedia.org/due west/index.php?championship=Sony_Alpha_99&oldid=888758348' Categories: Sony A-mountain SLT camerasCameras introduced in 2012Live-preview digital camerasFull-frame DSLR camerasHidden categories: CS1 maint: Archived copy as title Navigation carte Personal tools Non logged inTalkContributionsCreate accountLog in Namespaces ArticleTalk Variants Views ReadEditView history More Search Navigation Main pageContentsFeatured contentCurrent eventsRandom articleDonate to WikipediaWikipedia store Interaction HelpAbout WikipediaCommunity portalRecent changesContact page Tools What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationWikidata itemCite this page Print/export Create a bookDownload as PDFPrintable version In other projects Wikimedia Commons Languages DeutschFrançaisBahasa IndonesiaРусский Edit links This page was last edited on 21 March 2019, at 06:17 (UTC). Text is available under the Artistic Commons Attribution-ShareAlike License;additional terms may apply. Past using this site, you hold to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc., a non-profit organisation. Privacy policy Virtually Wikipedia Disclaimers Contact Wikipedia Developers Cookie statement Mobile viewKey Features Features and benefits Limitations Metabones Exclusive New positive-lock EF lens mountain. (Patent pending). Shop EXIF information (lens name, focal length and maximum/minimum discontinuity) for up to two manual lenses in the adapter. If both your lens supports optical paradigm stabilization (OIS) and your camera supports sensor-shift, in-body image stabilization (IBIS), the option is yours on which one to apply, or take both of them piece of work in harmony. Smoothen iris support with the latest Canon (2009 ), Tamron (SP series 2013 ) and Sigma (2016 ) lenses. Custom function button (called Focus Hold button) assignable to more than 50 functions, such as Discontinuity Preview and Eye-AF, on A9, A7 serial, A6500 and A6300. Defended switch controls in-body image stabilization (IBIS) on Sony cameras equipped with SteadyShot Inside. Sony Due east-mount teleconverter support. Compatible with Sony FS7 Mark Two camera. Cinema EOS lens (CN-E Compact-Servo) back up, including power zoom, AF and car iris. Safety gasket protects E-mountain connection from dust and moisture. Detachable tripod foot, compatible with Arca Swiss, Markins and Photo Clam ball heads. Electronic AF-C tracking during high-speed drive at up to 10fps on Sony A9. (Non applicable to A7R Mark III or A7 Mark Iii, refer to footnote number [x] of Sony's A7 Marker III printing release for limitations.) Fast dissimilarity-detection AF on all E-mount cameras (except AF-Southward/DMF with Sony A9). Pure phase-detection autofocus support on A9, A7RII, A7II, A6500 and A6300 (the fastest). Supports 5-axis in-torso epitome stabilization of A7II, A7RII and A7SII. (Distance information from lens required; 3-centrality IBIS if the lens does not transmit distance information.) Powered by photographic camera torso. No external power source required. LED indicator shows operation mode, OIS (optical image stabilization) activity and communication status. Efficient switched-mode ability supply. Supports image stabilization (IS) lenses. Supports electronic manual focusing (e.g. EF 85/1.2L Ii and discontinued EF 50/1.0L) EXIF support (focal length, aperture, lens name) Distance and zoom brandish on VG and FS serial camcorders, A9, A7 series, A6500 and A6300 (lens with altitude information support required). Auto magnify (lens with distance information support required) Auto APS-C Size Capture' on full-frame cameras with Canon EF-S lenses and many tertiary-party DX lenses. Optical/mechanical Felt material flocked within the opening to reduce internal reflection. Fits both EF and EF-S lenses. (Vignetting at corners may occur with sure EF-S lenses because they are designed to cover a 1.6x crop prototype circle simply Sony APS-C has a 1.5x crop gene.) Autofocus AF-C is supported on A9, A7RIII, A7III, A7RII, A7II, A6500 and A6300 only, and merely in Green mode. Continuous video AF is functional in Avant-garde mode, but performance may be unsatisfactory. On Sony A9, only phase-detection autofocus is supported. Dissimilarity-detection autofocus does non work. See firmware release notes for details. AF may not work if the maximum aperture of the lens plus any EF Extender or other teleconverter fastened is smaller than f/8. The first two autofocus attempts are used to calibrate the lens and as a event may not lock successfully on the target. Half-press the shutter release push button again and autofocus will lock successfully. Autofocus may have difficultly locking onto subjects which are very shut to the nearest focusing distance of the lens. Sony Eastward-mount 1.4x TC (model SEL14TC) will fit and work only AF performance may exist unsatisfactory and there may be significant vignetting with some telephoto lenses. Autofocus accuracy depends heavily on the design and working status of the lens. Lenses with hidden problems which may not be apparent on Canon DSLRs will lead to inaccurate and unreliable autofocus on Sony. Typical problems of this kind that we have seen include an unsmooth/erratic autofocus mechanism (east.g. getting stuck intermittently at a certain focusing distance), a faulty/worn-out distance encoder or other faulty/worn-out internal sensors. Other No back up for lens corrections such every bit peripheral shading, CA and distortion. Use of Canon Compact-Servo Cinema lenses such as CN-Due east 18-80mm T4.4 for still photography is non supported. (Functional, but slower than lenses designed for still photography.) Some EF-mountain lenses may make aural noises during iris changes and autofocus, which may exist picked upwards past the built-in microphone of the camera during video recording. Use of an external microphone is brash. Some of the recently-introduced Canon-brand lenses are very quiet, however. Early Tamron VC lenses such as the AF 28-300/3.5-6.iii XR Di VC LD Aspherical [IF] Macro (model A20), AF xviii-270/3.v-6.3 Di Ii VC LD Aspherical [IF] MACRO (model B003), SP AF 17-50mm F/ii.8 XR Di Ii VC LD Aspherical [IF] (model B005) may non be able to freely switch between OIS and IBIS because they may not written report IS activity status. Later Tamron VC lenses equipped with USD or PZD focus motors are fine. Some aftermarket battery grips may crusade the discontinuity to change erroneously. This is a issues in the aftermarket bombardment grip just NOT arising from the Metabones Smart Adapter. Turn off the aftermarket battery grip or utilise a 18-carat Sony battery grip. Disclaimer: nosotros are NOT licensed, approved or endorsed by Sony or Canon.DescriptionTested Photographic camera Bodies: A7III, A7RIII, A9, A7SII, A7RII, A7II, A7S, A7R, A7 A6500, A6300, A6000, A5000 PXW-FS5M2, PXW-FS7M2, PXW-FS5, PXW-FS7, NEX-FS700, NEX-FS100 VENICE NEX-EA50, NEX-VG900, NEX-VG30, NEX-VG20, NEX-VG10 NEX-7, NEX-6, NEX-5R, NEX-5N, NEX-5, NEX-C3, NEX-three Lens Compatibility Chart Fast AF on all East-mount cameras (phase detection AF simply with using Sony A9) Tested by the community, thanks! Canon CN-E 18-80mm T4.iv COMPACT-SERVO EF Canon CN-Eastward 70-200mm T4.4 Meaty-SERVO EF Canon EF 8-15mm f/4L USM Fisheye* Canon EF-South x-18mm f/4.5-five.vi IS STM* Canon EF xi-24mm f/4L USM Canon EF xvi-35mm f/two.8L USM Canon EF xvi-35mm f/4L IS USM Catechism EF-S 17-55mm f/2.8 IS USM Canon EF-Due south 18-55mm f/iii.five-v.six IS Ii* Canon EF 20-35mm f/3.v-4.5 USM Catechism EF 24mm f/i.4L USM Canon EF 24-105mm f/4L IS USM Canon EF 24-105mm f/4L IS II USM Canon EF 28-80mm f/iii.5-five.6 II Catechism EF 40mm f/2.viii STM* Catechism EF 50mm f/1.2L USM Canon EF 50mm f/i.4 USM Canon EF 50mm f/i.8 STM* Canon EF 70-200mm f/ii.8L IS 2 USM* Canon EF 70-200mm f/4L IS USM Catechism EF 70-200mm f/4L USM Canon EF 70-300mm f/4-5.6L IS USM* Canon EF 85mm f/1.2L II USM Canon EF 100mm f/2.8L Macro IS USM* Canon EF 100-400mm f/4.5-5.6L IS USM Canon EF 100-400mm f/4.5-v.6L IS Ii USM* Canon EF 180mm f/3.5L Macro USM Canon EF 200mm f/2.8L Two USM Canon EF 300mm f/4L IS USM Canon EF 400mm f/five.6L USM Catechism EF Extender i.4x Iii Canon EF Extender 2x II Sigma 18-35mm f/1.8 DC Art Sigma 24-105mm f/iv DG Bone Art Sigma 50mm f/one.4 DG HSM Sigma 50-100mm f/1.eight DC HSM Art 016* Tamron SP xv-30mm f/two.8 VC USD A012* Tamron 16-300mm f/3.5-6.3 Tamron xviii-200mm f/iii.5-half dozen.3 Tamron eighteen-250/three.5-half-dozen.3 XR Di Two LD Aspherical [IF] MACRO A18 Tamron 18-270/three.five-6.3 Di Two VC PZD B008 Tamron SP 24-70mm f/2.viii Di VC USD A007 Tamron SP 45mm f/one.eight Di VC USD F013* Tamron SP lxx-200mm f/2.8 Di VC USD A009* Tamron 70-300mm f/iv-5.vi Tamron SP 90mm f/2.8 Macro Tamron 150-600mm f/five-6.iii VC USD A011* Tokina 10-17mm f/iii.5-4.5 DX Tokina 11-16mm f/2.eight DX II Canon EF 14mm f/2.8L II USM Canon EF 24-70mm f/4L IS USM Catechism EF 28-300mm f/iii.v-five.6L USM Canon EF 35mm f/2L IS USM Canon EF 35-350mm f/3.5-five.6L USM Canon EF 70-200mm f/2.8L IS USM (Mark I) Catechism EF 70-200mm f/2.8L USM (non-IS) Catechism EF 75-300mm f/4-five.6 IS USM Canon EF 85mm f/1.8 USM Canon EF 400mm f/2.8L IS USM (Marking I) Canon EF 400mm f/v.6L USM Catechism EF 500mm f/4L IS USM (Mark I) Sigma 12-24mm f/4.v-5.half-dozen (Ver I) Sigma 20mm f/1.4 DG HSM Fine art Sigma 24mm f/ane.4 DG HSM Art Sigma 35mm f/1.4 DG HSM Art Sigma 50mm f/1.4 Fine art Sigma 50-500mm f/4-6.iii Bone HSM Sigma 70-200mm F2.8 APO EX DG OS HSM Sigma 85mm f/1.4 EX DG HSM Sigma 150mm f/2.8 Macro Sigma 150-600mm f/5-half-dozen.3 Bone HSM Contemporary Phase-detect AF on A9, A7RII, A7II, A6500 and A6300 only, unable to contrast-detect AF accurately if at all Catechism EF 24-70mm f/ii.8L II USM Canon EF 28-70mm f/3.v-4.5 II Canon EF 35mm f/one.4L USM Catechism EF 50mm f/1.8 II Canon EF 100mm f/2.8 Macro USM Canon EF 135mm f/2L USM Contax N Vario Sonnar 17-35mm f/ii.8 Contax Northward Planar 50mm f/1.iv Contax N Vario Sonnar 70-200mm f/three.v-four.5 Contax Due north Planar 85mm f/ane.4 Kenko Teleplus Pro 300 ane.4x (note ane) Kenko Teleplus Pro 300 2x (note 1) Sigma xviii-125mm f/iii.8-5.6 DC Bone HSM Tamron SP 17-50mm F/ii.8 XR Di Ii VC LD Aspherical [IF] B005 Tamron 18-270/3.5-6.3 Di 2 VC LD Aspherical [IF] MACRO B003 Manual focus only Samyang 35/ane.4 Zeiss CP.2 25mm/T2.9 Zeiss CP.2 100mm/T2.1 Zeiss ZE Distagon xv/2.eight Zeiss ZE Distagon eighteen/3.five Zeiss ZE Distagon 21/2.8 Zeiss ZE Distagon 25/2.8 Zeiss ZE Distagon 35/ii Zeiss ZE Planar 50/1.4 Zeiss ZE Makro-Planar 50/two Zeiss ZE Planar 85/ane.4 Zeiss ZE Makro-Planar 100/2 Non supported Focus confirmation 'chip' (eastward.m. Dandelion) Tokina opera 50mm f/ane.four FF (annotation 2) Tamron 28-300/3.five-half dozen.three XR Di VC LD Aspherical [IF] MACRO A20 (note ii) * with smooth iris supportNote 1: Note colour dot next to the words 'Made in Japan' on the housing. Blue dot, which is the latest version, is preferred. May have compatibility bug when Kenko is used with sure lenses and/or stacked on top of another teleconverter. Stacking not supported except if both are the blue dot version.Annotation two: Unstable due to unusually high current requirement.Note iii: Use of Catechism Compact-Servo Cinema lenses such equally CN-E 18-80mm T4.4 for still photography is not supported. (Functional, simply slower than lenses designed for yet photography.) EF-Eastward Product Matrix Why Metabones®?Since its inception, Metabones has been designing and manufacturing lens adapters recognized among professionals and enthusiasts as leaders in design and workmanship.Contrary to the popular trend of other factories using an aluminum ring painted black on the camera-body-side, we instead take no short-cut but use precision-machined brass with chromium plating on both the camera-body and the lens sides of our adapters, in club to ensure smooth mounting, great appearance, and durability. The lens side of the adapter features a strong leaf-bound structure, strengthening the adapter-lens connectedness and ensuring tightness of the lens in order to reduce clothing and forbid focus errors and optical alignment issues from actualization.Metabones uses matte-black handling to proceed internal reflection to a minimum in order to maintain the maximum optical quality possible with the lens.All Metabones Adapters follow this tradition of uncompromising precision, robust build quality and outstanding finish. Our new Smart AdapterTM series of products add manufacture-leading electronic interfacing engineering science from Canada, with true electronic control of the lens' aperture direct from the photographic camera body.Features Both camera-side and lens-side of the adapter are fabricated of brass, precision-machined and plated with chromium. Satin surface finish - but like your OEM lens and camera mounts. Precise fit and solid connection - lens has no play, gap or wiggling when mounted on adapter and no adjustments are required to fit your lens. Designed to attain infinity focus while maintaining the correct registration distance required to maintain optical quality of CRC lenses or lenses with floating elements.Our Smart AdapterTM series adapters have the following additional features True electronic integration of aperture diaphragm - allow camera automatically choose aperture in P or S exposure modes, or dial in yourself on the camera body in A or M modes. EXIF information such as lens identification, focal length and aperture. Copyright @ 2012-2018 Metabones. all rights reserved. All trademarks referened herein are the properties of their respecitive owners.
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0_ xiii - Sigma 135mm f/i.8 DG HSM Fine art Lens . The Sigma 135mm f/i.viii DG HSM Art is a really sharp lens, with excellent handling and cute bokeh, . The Sony NEX 50mm f/1.eight OSS does take a few Chromatic .
Source: https://sites.google.com/site/e2b7jk0i/Consumer-Electronics/dg-nex